“And Then We Were No More,” a new play by Tim Blake Nelson and starring Elizabeth Marvel at LaMaMa. Opens September 28th.
Reported Thursday, September 4, 2025.
Pictured Above: Tim Blake Nelson. Photo Credit: Contributed.
NEWSROOM POST: NEW YORK, NEW YORK
The off-Broadway production begins performances on September 19, with opening set for September 28 in a limited engagement.
New York, NY – And Then We Were No More, a new play written by Tim Blake Nelson (The Public’s Socrates, MCC Theater’s The Grey Zone), will play La MaMa (66 E. 4th Street), and produced by La MaMa and Carol Ostrow of Stop The Wind Theatricals. Directed by Mark Wing-Davey (The Hitchhiker’s Guide To The Galaxy; Caryl Churchill’s Mad Forest [Obie Award for Direction]; Caryl Churchill’s The Skriker), the off-Broadway production begins performances on September 19, with opening set for September 28 in a limited engagement.
In the not-too-distant future a lawyer is forced to represent a prisoner deemed ‘beyond rehabilitation’ and destined to perish in a newly developed machine designed to execute ‘without pain.’ The attorney must strive for justice in a system devoid of mercy.
The cast of And Then We Were No More features Elizabeth Marvel (Broadway: King Lear, Other Desert Cities; Long Day’s Journey Into Night; House of Cards; Homeland), Scott Shepherd (Ulysses, Bridge of Spies), Jennifer Mogbock (Half-God of Rainfall; Merry Wives), Henry Stram (Titanic, The Elephant Man), Elizabeth Yeoman (Airtime; The Children’s Hour), William Appiah (Fences; Hamlet), E.J. An (A Dream of Red Pavilions; Clubhouse), Kasey Connolly (Four Women Entering Paradise; FBI), and Craig Wesley Divino (London Assurance; Round Table).
And Then We Were No More features scenic design by David Meyer (A Sucker Emcee; Hedwig…), lighting design by Reza Behjat (English; Wish You Were Here), costume design by Marina Draghici (Tony® Award Winner – Fela!; Mother Courage), and sound design by Henry Nelson and Will Curry (Asleep In My Palm, the band Early Worm).
“I am honored to present my play with Carol Ostrow at La MaMa, a New York institution I have long admired for its willingness to stage challenging, boundary-pushing new works for the American theater,” said playwright Tim Blake Nelson. “My favorite plays and productions provoke, in a smart but visceral way, tough conversations about the world in which we live. My hope is that New York audiences will find some of that in what we’re up to with this piece.”
“When I read Tim’s urgent and remarkable new play, I knew I wanted to bring this story to the stage, and La MaMa is the perfect partner and venue to do so,” said producer Carol Ostrow. “And Then We Were No More invites audiences to grapple with thorny questions we are often too afraid to ask. I couldn’t be more excited to work with Tim and the entire creative team on this prescient, thought-provoking work.”
And Then We Were No More plays La MaMa (66 E. 4th Street). Performances are Tuesday – Saturday evenings at 7PM, with matinees on Saturday and Sunday at 2PM.
Tickets begin at $49.00 and are available at: www.lamama.org.
Bios:
Tim Blake Nelson (playwright) is a celebrated writer, director, actor, and producer.
His work as a playwright was most recently on display with The Public’s acclaimed 2019 Off-Broadway world premiere production of his play, Socrates, an intimate portrait of the ancient Greek philosopher, starring Michael Stuhlbarg in the title role, and directed by Tony Award-winner Doug Hughes. He made his NYC playwriting debut in 1996 with the MCC Theater Obie Award-winning production of his play, The Grey Zone, a searing Holocaust drama that won Nelson Newsday’s Oppenheimer Award for Best Debut Play, along with Encore Magazine’s Taking Off Award and the Berilla Kerr Award. He then adapted the play into a 2001 feature film of the same name, starring David Arquette, Steve Buscemi, Mira Sorvino, and Harvey Keitel. The film won the National Board of Review’s Freedom of Expression Award. MCC Theater also premiered his 1998 play Anadarko, set in a small-town Oklahoma jail, where the intertwined destinies of two men collide as each awaits judgment in adjacent jail cells. His debut play, Eye of God, set in his native Oklahoma, first premiered at the Seattle Repertory Theatre in 1992 where it was nominated for the Kesselring Prize. It most recently played Off-Broadway in 2009. This harrowing drama about a naive young woman’s fateful marriage to the disturbed ex-convict was also adapted into a feature film written and directed by Nelson, nominated for the Grand Jury Prize for Dramatic Feature at Sundance and the Someone to Watch Independent Spirit Award, while winning the Tokyo Bronze Prize at the Tokyo International Film Festival, along with Best Director at the Seattle Film Festival. As a stage actor, Nelson has starred Off-Broadway in Shakespeare in the Park’s A Midsummer Night’s Dream, The Beard of Avon, Oedipus, Richard III, Troilus and Cressida, Mad Forest, Twelfth Night, and at MTC, Playwrights Horizons, MCC, NYTW, and Soho Rep.
A veteran screen actor, Nelson has nearly 100 screen credits, including O Brother, Where Art Thou?, The Thin Red Line, Minority Report, The Ballad of Buster Scruggs, Lincoln, Nightmare Alley, Old Henry, Syriana, Fantastic Four, Holes, Donnie Brasco, Just Mercy, The Incredible Hulk, The Sound and the Fury, As I Lay Dying, Meet the Fockers, Captain America: Brave New World, and Guillermo del Toro’s Pinocchio. For television, he starred in HBO’s Watchmen, earning a Critics’ Choice Award nomination; and most recently appeared on Peacock’s Emmy-nominated Poker Face and Guillermo del Toro’s Cabinet of Curiosities. As a filmmaker, he has written and directed five features, including Leaves of Grass starring Edward Norton, Keri Russell, Richard Dreyfuss, and Susan Sarandon; Anesthesia starring Sam Waterston, Kristen Stewart, Glenn Close, Gretchen Mol, and Corey Stoll; and O, a modern adaptation of Othello starring Mekhi Phifer, Josh Hartnett, and Julia Stiles.
This fall, Nelson will co-star in FX’s new drama series The Lowdown starring Ethan Hawke and created by Sterlin Harjo; in Mona Fastvold’s highly anticipated musical drama feature film, The Testament of Ann Lee, starring Amanda Seyfried about the famed real-life religious leader, which will premiere at Venice; and will star in the title role of the independent feature, Bang Bang, playing an aging boxer whose glory days are long past, in theaters on September 12. He is currently editing his latest film as a writer/director, The Life and Deaths of Wilson Shedd, starring Amanda Seyfried, Scoot McNairy, Wunmi Mosaku, Missi Pyle, and Nelson himself. He published his debut novel, City of Blows, in 2023 with Unnamed Press, and will debut his second novel, Superhero, in December 2025.
Mark Wing-Davey (director) lives in NYC and is an Arts Professor in Grad Acting at NYU’s Tisch School of the Arts where from 2008-2020 he was chair. He first came to prominence in the U.S. for his production of Caryl Churchill’s Mad Forest at New York Theatre Workshop (with Tim Blake Nelson in the original cast), initiating his U.S. directing career and earning him an Obie Award for Outstanding Director. Working extensively in New York for NYTW, MTC, Lincoln Center, Playwrights Horizons, LAByrinth, and most often, The Public, where Troilus & Cressida and Henry 5 (at the Delacorte), School of the Americas, Silence Cunning Exile, 36 Views, Unconditional, The Singing Forest, The Skriker and The Vagrant Trilogy are highlights. Recent work also includes Nina Raine’s Consent, Mike Bartlett’s King Charles the Third and Francis Turnly’s The Great Wave, Peter Barnes’ Red Noses, and a non-male identifying All’s Well That Ends Well. He has directed numerous productions of new and classic plays at major theatres across the US, UK, and Australia.
About La MaMa
La MaMa Experimental Theatre Club is dedicated to the artist and all aspects of the theatre. La MaMa’s 64th Season, LA MAMA NOW, focuses on creating solidarity and building community, exploring ways to build connections for cross-sector coalition and invite artists, activists, organizers and community members into the creative process.
La MaMa has been honored with 30+ Obie Awards, dozens of Drama Desk, Bessie Awards, Villager Awards, the 2018 Regional Theatre Tony Award, and most recently a 2023 New York Drama Critics’ Circle Special Citation. We are a creative home to artists and resident companies from around the world, many of whom have made lasting contributions to the arts, including Blue Man Group, Bette Midler, Ping Chong, Jackie Curtis, Robert De Niro, André De Shields, Adrienne Kennedy, Cole Escola, Bridget Everett, Harvey Fierstein, Diane Lane, Charles Ludlam, Tom Eyen, Spiderwoman Theater, Tadeusz Kantor, Marc Shaiman and Scott Wittman, Meredith Monk, David and Amy Sedaris, Stephanie Hsu, Julie Taymor, Kazuo Ohno, Tom O’Horgan, Andrei Serban, Liz Swados, and Andy Warhol. La MaMa’s vision of nurturing new artists and new work from all nations, cultures, races and identities remains as strong today as it was when Ellen Stewart first opened the doors in 1961.
About Stop The Wind Theatricals
Stop The Wind Theatricals is a new producing model that provides a page to stage framework for developing authentic and audacious new plays. We nurture, connect and cultivate always with the goal of moving plays toward production. Whether experimental or commercial, from the head or from the heart, we understand how good theater works. Producer Carol Ostrow has 30 years of producing experience – classical or avant-garde, devised or structured, ensemble or solo – with networks that are local, national, and global. Stop The Wind was created to propel the widest range of theatrical possibility. Current projects include And Then We Were No More by Tim Blake Nelson, A Trojan Woman by Sara Farrington, Pierre by Keith Reddin, Jackals by Adam Rapp, Words We Believe by Rehana Lew Mirza, and Ann Fran and Maryann by Erin Courtney. stopthewindtheatricals.com.

Independent Arts News Reporting