Princeton Symphony Announces 2026 Performers & Concerts
Reported Monday, December 22, 2025.
Pictured Above: Bella Hristova, violin. Photo Credit: Dario Acosta.
NEWSROOM POST: PRINCETON, NEW JERSEY
Violinist Bella Hristova and Composer Andreia Pinto Correia to Make Appearances at January PSO Concerts and Events
Princeton, NJ — Bulgarian-American violinist Bella Hristova and a work by New York-based Portuguese composer Andreia Pinto Correia will be spotlighted at Princeton Symphony Orchestra (PSO) concerts shortly after the New Year.
Hristova marks her January 10-11 return to the PSO as soloist in performances of Sergei Prokofiev’s Violin Concerto No. 1 in D Major, Op. 19. Hristova last performed with the Princeton Symphony Orchestra in 2014 with Edward T. Cone Music Director Rossen Milanov, also Bulgarian, conducting.
Andreia Pinto Correia’s Ciprés was composed in 2018 and dedicated to maestro Rossen Milanov through a League of American Orchestras’ Virginia B. Toulmin Foundation Commission. Pinto Correia says, “The work reflects my longtime interest in Iberian Literature and, in particular, with the writings of Federico García Lorca. I am thrilled to have maestro Milanov conducting Ciprés once again, this time with the Princeton Symphony Orchestra. Having lived in Princeton for four years, I have the most cherished memories of the orchestra and the community.”
Pictured Above: Composer Andreia Pinto Correia. Photo Credit: Daniel Blaufuks.
Pinto Correia’s Ciprés was inspired by the Spanish poet Federico García Lorca’s similarly titled work, the text of which pairs specific trees with a corresponding form of water. Prokofiev wrote his violin concerto in his mid-twenties, in 1917, the year of the Russian Revolution; its lyrical first movement and contrasting second movement reveal the composer’s wit and taste for irony. Dmitri Shostakovich, another Russian composer, wrote his first symphony at 18 as a graduation project, offering a new post-revolutionary voice to the music world.
Maestro Milanov will conduct both concerts at Richardson Auditorium, on the campus of Princeton University. Pinto Correia and Hristova will join the Maestro in conversation at the January 11 pre-concert talk at 3pm, free to Sunday ticket holders in the concert hall. Pinto Correia will be present at ancillary events and attend both performances.
Single tickets start at $40; there are also cost-saving ticket packages available. Youths 5-17 receive a 50% discount with an adult purchase. Visit the Princeton Symphony Orchestra website at princetonsymphony.org or call 609-497-0020.
On Friday, January 9 at 5:30pm, Andreia Pinto Correia will give a presentation at the Institute for Advanced Study’s Wolfensohn Hall with support from the Edward T. Cone Foundation. The event is centered on how her Portuguese heritage infuses her compositions, and includes live music provided by a string quartet made up of PSO musicians. The event is free with ticketed registration available through the Institute’s website.
Pinto Correia’s music will serve as inspiration to middle school artists and writers participating in the orchestra’s 2026 BRAVO! Listen Up! music response program. Pinto Correia will work with the students at a morning workshop on Friday, held at the Arts Council of Princeton with art instructor April Zay in preparation for the students’ listening to the live performance of Ciprés. The students’ creative works will be on public display weekends, April 18 through May 3 at the Adriana Groza Gallery at 38 Spring Street, Princeton, NJ.
About the Artists
Acclaimed violinist Bella Hristova is an Avery Fisher Career Grant recipient. She has won First Prize in the Michael Hill International Violin Competition, First Prize in the Young Concert Artists International Auditions, and is a Laureate of the International Violin Competition of Indianapolis. Hristova has performed extensively as a soloist with orchestras across the United States, Asia, Europe, Latin America and New Zealand. In addition to her many appearances with orchestras, Hristova has performed recitals at Carnegie Hall, Merkin Concert Hall, the Kennedy Center in Washington, DC, and Boston’s Isabella Gardner Museum, and performs frequently with The Chamber Music Society of Lincoln Center. A champion of music by living composers, Hristova has commissioned composers including Nokuthula Ngwenyama, Joan Tower, and Ellen Taaffe Zwilich. Hristova was the featured soloist for a consortium of eight major orchestras for a new concerto commission written for her by her husband, composer David Serkin Ludwig. Most recently, Hristova recorded Ludwig’s violin concerto with JoAnn Falletta and the Buffalo Philharmonic Orchestra. Hristova began violin studies at the age of six in her native Bulgaria. She later studied with Ida Kavafian at the Curtis Institute of Music, and received her Artist Diploma studying with Jaime Laredo at Indiana University. She plays on a 1655 Nicolo Amati violin and lives in New York City with her husband David and their four beloved cats.
Composer Andreia Pinto Correia’s music is characterized by close attention to harmonic detail and timbral color. Following a family tradition of scholars and writers, her work often reflects the influence of literary sources from the Iberian Peninsula and beyond. Recent highlights include Cortejo, a L.A. Philharmonic commission with generous support from the Esa-Pekka Salonen Commissions Fund premiered at the Walt Disney Concert Hall, and Os pássaros da noite (The Birds of Night), a NY Philharmonic commission, both led by Maestro Gustavo Dudamel. Her work Reverdecer, Concerto for Violoncello and Orchestra, co-commissioned by the Orquestra Sinfônica do Estado de São Paulo (OSESP, Brazil) and the Calouste Gulbenkian Foundation (Lisbon, Portugal), and written for virtuoso Jay Campell, had its European and South American premieres during the 2023-24 Season. Pinto Correia was the curator of the Fertile Crescent Festival for Contemporary Music at the Institute for Advanced Study in Princeton. Honors include the Inaugural Sorel Award, the Arts and Letters Award in Music from the American Academy of Arts and Letters, a John Simon Guggenheim Memorial Foundation Fellowship, and the DSCH Shostakovich Award for her “contribution to the excellence of Portuguese classical music” from the Ministry of Culture of Portugal.
Additional concerts in 2026
2025 GRAMMY® Award-winning pianist Michelle Cann graces the PSO stage February February 7-8 with performances of Edvard Grieg’s majestic Piano Concerto in A Minor, Op. 16. Jessie Montgomery’s
Records from a Vanishing City is based on her recollections of growing up on Manhattan’s Lower East Side, and Ludwig van Beethoven’s Symphony No. 2 in D Major, Op. 36, one of his lesser-known works, brims with positivity. Georg and Joyce Albers-Schonberg Assistant Conductor Kenneth Bean conducts.
March 7-8, leading harpsichordist Mahan Esfahani performs a world premiere work by Julian Grant for solo harpsichord and orchestra. Viet Cuong’s Extra(ordinarily) Fancy cleverly reinterprets the baroque double oboe concerto, and Stravinsky’s neo-classical ballet Pulcinella features Aubry Ballarò, soprano, Nicholas Nestorak, tenor, and Hunter Enoch, bass.
Serbian-born cellist Maja Bogdanović makes her long-awaited Richardson Auditorium debut May 9-10 with Camille Saint-Saëns’ melodic Cello Concerto No. 1 in A Minor, Op. 33, one of the most popular in the repertoire. Aaron Copland’s Letter from Home, an emotional wartime offering and Sergei Prokofiev’s Symphony No. 5 in B-flat Major, Op. 100, one of his most beloved works, complete the program.
The PSO’s performance calendar can be found online at princetonsymphony.org/calendar. Saturday orchestral performances begin at 7:30pm, an earlier start time for this season, and Sunday’s 4pm performances include a 3pm pre-concert talk, hosted by Rossen Milanov.
For tickets and information, visit the Princeton Symphony Orchestra website at princetonsymphony.org or call 609-497-0020.

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